Alan Harris - Ukulele Society of Great Britain (USGB)

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On The Case with “Mr Ukulele” Alan Harris

Nestling in the beautiful Yorkshire countryside is one of the countries hidden gems: Alan Harris’ Ukulele Museum. It is a collection of the beautiful, the weird, and the wonderful, all seen in the delightful company of Alan.  Alan has music in his blood, as he grew up all his family played: his dad played clarinet and Sax, his aunties all played ukulele, even into their eighties.  Alan still has his Uncle Stanley King’s Ludwig Crown, and what a beauty it is too. Uncle Norman’s ukulele is something else entirely: it is made from a frying pan! Norman used to play it in the pubs whilst away with work.

Right: Alan playing a Weetabix cigar box ukulele. Unlike a lot of cigar box instruments it has a super tone, and plays really nicely. Alan often uses this to perform with as it is such a visual surprise, and indeed played this instrument in the House of Commons when his Daughter Benita organ- ised a Global Sharing day to raise awareness of the shared creation, pro- duction, distribution, trade and consumption of goods and services by different people and organisations.

One of the more unusual instruments is this 1920’s “Uke-a-phone”, right. When instruments were originally recorded onto  wax it was difficult to capture the sounds of violins and wooden ukuleles. They were adapted to project the sound out through the horn. These instruments were played horn towards the recording horn, and the sound was thus captured. It is a very 1920’s sound, very evocative of the jazz age recordings, and was used extensively in vaudeville performances.

Right:  Alan played a lovely pair of very unusual 1920’s Keech wooden ukuleles, a tenor, and a soprano with the origi- nal booklet advertising it for sale.  The tenor had the most beautiful warm tone to it, with a crisp bright punch. Wooden Keeches are very rare nowa- days, so to see two in such beautiful condition was treat enough, and to be serenaded by Alan added to the expe- rience greatly.  You can also make out one of Alan’s other unusual in- struments in the picture. Alan’s museum is such an inter- esting place to see, he has a hand-cranked Organola which plays “our Sergeant Major” amongst other tunes!

I asked Alan what his perfect instrument would be, if someone knocked on his door with it for him? He replied it would probably be a wooden ukulele, a little Martin. This one in his collection is an absolute beauty. As it has the Martin stamp on the rear of the head it dates as a very early example.

Alan is full of information and stories, and what shines through is his warm spirit and big heart. He does an awful lot to raise funds for charity. His walls are lined with photographs: family, bands, friends, and events he has taken part in, including a photo of a very young Andy Eastwood, to whom he sold his first ukulele!

Right:  Alan is a great raconteur, an afternoon in his company is one of laughter and fun. Did you know that Alan introduced George Harrison to the Ukulele Orchestra of Great Britain? He had sold George a Bacon banjo Ukulele, same model as the one Alan is holding here. George met him at Digswell where the Ukulele Orchestra of Great Britain had just got together. George wanted to book them to do a gig at his home. Unfortunately due to a bit of a fall out they never did get to play that gig.

Alan took the cheque from George to the bank, and asked if it could be cashed and that he could have the cheque returned to him, but the bank would not al- low this. Alan popped back to his business and photocopied the cheque as a keepsake. £750 was a lot of money in 1991!

Right: is a picture of Alan explaining the term “put a sock in it”. He is demonstrating how to control the volume output on a beautiful wind- up gramophone by quite simply “putting a sock in it”, which I have to say was remarkably effective. The output was quieter, but did not sig- nificantly diminish the tone of the music. It was quite splendid to hear a gramophone record played on an instrument from the same period. (I am sure the socks were more recent!)

Alan left me with some wise words: “If you are beginning to play the ukulele start on the wooden ukulele as it doesn’t annoy the neighbours as much. Start off with some guidance from someone competent, as it is always best to start off right, rather than trying to correct errors later. Most of all ukulele playing can be summed up in three words: Practice Practice Practice.”

An afternoon with Alan is a real treat. He takes visitors to his museum by arrangement, and it is well worth a visit. Thank you for a lovely afternoon, Alan.

Alan offers two free lessons to anyone who purchases an instrument from him, and has a selection of about 20 instruments , including Dallas, Maybell, Slingerland, SS Stewart, Weyman, Will Van Allan, Ludwig and Gib- son, which are restored and ready to play. He can also provide you with vellums, Galli strings and instrument cases.

To contact Alan: Alan’s website www.alanukeharris.co.uk or call him on 0113 2688618, mobile 07714 296138 alanukeharris@hotmail.com



 
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